Designed by Redfield. Icons by Cameron Hunt.
Photograph

“How long have you worked from home? And where is home? Home is Atlanta Georgia, where I’ve worked as a graphic designer for just about twenty years. The bulk of my work has been as a consultant working out of my home office, though temporary stints commandeering client conference rooms is common. My company, Matador, takes an editorial approach to graphic design with a focus on typography for all media. By that I mean graphic design that starts with the content and works out to a finished product my clients can take to market. We do graphic design, but there’s a bit of writing to it as well. Some folks we’ve worked with: AT&T, Coke, IBM, ING, Mercedes AMG, Nintendo, and Time Warner.
Typography plays a major role in the practice beyond simply picking a font or knowing a particular brand’s guidelines. Every typeface has unique requirements in that it has to be set just so. It’s up to the graphic designer to understand what a particular typeface wants. We work within those bounds to let type communicate as it was intended. Everything else follows.”
From Theo Rosendorf’s interview with Cerentha Harris

“How long have you worked from home? And where is home? Home is Atlanta Georgia, where I’ve worked as a graphic designer for just about twenty years. The bulk of my work has been as a consultant working out of my home office, though temporary stints commandeering client conference rooms is common. My company, Matador, takes an editorial approach to graphic design with a focus on typography for all media. By that I mean graphic design that starts with the content and works out to a finished product my clients can take to market. We do graphic design, but there’s a bit of writing to it as well. Some folks we’ve worked with: AT&T, Coke, IBM, ING, Mercedes AMG, Nintendo, and Time Warner.


Typography plays a major role in the practice beyond simply picking a font or knowing a particular brand’s guidelines. Every typeface has unique requirements in that it has to be set just so. It’s up to the graphic designer to understand what a particular typeface wants. We work within those bounds to let type communicate as it was intended. Everything else follows.”

From Theo Rosendorf’s interview with Cerentha Harris



July 30, 2010, 7:16pm